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This is definetly one of Richard Gere's sexiest flicks and is even sexier than AMERICAN GIGALO, and AN OFFICER & A GENTLEMAN I've not seen Jean-Luc Godard's original but it has to be better than this overripe film. I'd call it a case of style over substance but there's no discernible style here. Richard Gere's preening narcissistic punk is downright grating. You wonder what Valerie Kaprisky's architecture student sees in this jerk. But, then, Kaprisky's only real talent on display here is shedding her clothes. Which leads to the film's mandatory love scenes. Boring! There's no compelling reason to see this mediocrity. The two leads were incredibly beautiful actors, who were enjoyable to watch. The storyline held my interest and I thought Richard Gere did a great job. His obsessi... see description |
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He plays the invulnerable sheriff who rides blithely through life, unaware that the evil Kirk Douglas wants to kill him and kidnap his squeeze, Ann-Margret. Directed by Hal Needham, this was an attempt at creating a Roadrunner cartoon with live actors--except that instead of a live actor they got Arnold Schwarzenegger, before Hollywood smoothed his rough edges (and his Austrian accent). " Douglas works extra hard but effort alone isn't enough to elevate this script. The stunts are cartoony without being funny and Schwarzenegger shows exactly why he was known as "the Austrian Oak. This curiosity from the mid-1970s is breathtaking in its dreadfulness. --Marshall Fine i liked to much very funny
i never sau arnold like a faget in his blue suit
Slapstick comedy that keeps you laughing f... see description |
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We watch Alex transform from a free-roaming miscreant into a convict used in a government experiment that attempts to reform criminals through an unorthodox new medical treatment. --Bryan Reesman . --Bryan Reesman . A Clockwork Orange works on many levels--visual, social, political, and sexual--and is one of the few films that hold up under repeated viewings. Malcolm McDowell delivers a clever, tongue-in-cheek performance as Alex, the leader of a quartet of droogs, a vicious group of young hoodlums who spend their nights stealing cars, fighting rival gangs, breaking into people's homes, and raping women. Kubrick not only presents colorfully arresting images, he also stylizes the film by utilizing classical music (and Wendy Carlos's electronic classical work) to underscore the ... see description |
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